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about
NINABYRON is an aperiodic online magazine, styled by AnimaeNoctis & Lotta di Classico. No directors, but only two coordinators: Silvia Marcantoni Taddei & Massimo Sannelli.
Its polymorphous mission is a post-Fluxus way of being “merely [heartily] players” on this earthly stage: nonbinary life, multimedialism/multiculturalism, gentle anarchy, proud avantgarde & something else, like outspoken Epicureanism. This magazine is a stable, because we think we are unstable animals (among the other animals).
By the way, NINABYRON is the anagram of nonbinary.
And I must open by magic the road to the bohemians who are not of this world but who must introduce into it their powers armed with flesh and bone and the latter are numberless and you have among them your armies but I must be able to work to open to them the gates of this world.
Antonin Artaud quoted by Anaïs Nin, The Diary (January, 1942)
Ma se mi toccano
Dov’è il mio debole
Sarò una vipera…
Il Barbiere di Siviglia, act 1, lyrics by Cesare Sterbini, music by Gioachino Rossini
credits
released December 20, 2021
Silvia Marcantoni Taddei: electric guitars, vocals.
Massimo Sannelli: keyboards, melodica, harmonica, electronics, vocals.
Guest
Maria Callas, concert: Opéra de Paris, December 19, 1958
C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension. Bandcamp New & Notable Mar 26, 2018
Composer and bass player Håkon Thelin aims to cut to the essence of the double bass by focusing on technique with these contemporary pieces. Bandcamp New & Notable Apr 11, 2023
A collaborative effort between the Connecticut drone duo and the Philadelphia-based songwriter, steeped in the ritualistic avant-garde. Bandcamp New & Notable Oct 26, 2022
Danish avant-garde crew SVIN explore far-out new lands on their latest, the sound of a galaxy folding in on itself in cut time. Bandcamp New & Notable Jul 16, 2022